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The graphic novel, winner of the Art Spiegelman Pulitzer Award, Mous is a reference point in the representation of the accounts with the holocaust and the turning point in the serious art art, but its complete results are more notable and eclectic. Art Spiegelman: Disaster is my muse tracking its beginnings in the 1960s as a co -creator of commercial packages of extravagant packages; His co -foundation of magazines Arcade Underground Comics (with Bill Griffith) and RAW (with his wife Françoise Mouly); In the shadow of No Towers, his reaction to September 11, inspired to attend attacks from his home at the bottom of Manhattan; His controversial covers for The New Yorker (1993-2003) that pushed the New York Police to pump the magazine’s office; and his public response to the recent prohibition of Mous by a Tennessee school council. Spiegelman demonstrates an eloquent guide through his provocative work, together with the contemporaries (Robert Crumb, Gary Pantry) and the younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) inspired by the grunt confrontation of Spiegelman of personally traumatic songs.
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